Lionel Ginoux

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Le Horla
Voix et Piano
Durée 05'00
At the request of singer Marc Filograsso, Lionel Ginoux based  his work on the dream. From an excerpt from Guy de Maupassant’s Horla, the composer describes the precise and disturbing moment when we wake up and where the nightmare persists. You don’t know if you’re awake or still sleeping…
Printed version papier, click here

Le Horla
Voix et Piano
Durée 05'00
At the request of singer Marc Filograsso, Lionel Ginoux based  his work on the dream. From an excerpt from Guy de Maupassant’s Horla, the composer describes the precise and disturbing moment when we wake up and where the nightmare persists. You don’t know if you’re awake or still sleeping…

PDF download
Les trois mélodies lourdes
Voice and Piano
Duration 19'50
Les poèmes condamnés (the condemned poems) from Charles Baudelaire are always disturbing in truth about human, the pleasure of the body, the desire for enjoyment, the power of the sexual act. These are magnificent poems that Lionel Ginoux had a happiness to write into music. The words power, enjoyment, voluptuousness, eroticism, sensuality guided his writing in this new score…

Printed version, clik here

Les trois mélodies lourdes
Soprano Voice and Piano
Duration 19'50
Les poèmes condamnés (the condemned poems) from Charles Baudelaire are always disturbing in truth about human, the pleasure of the body, the desire for enjoyment, the power of the sexual act. These are magnificent poems that Lionel Ginoux had a happiness to write into music. The words power, enjoyment, voluptuousness, eroticism, sensuality guided his writing in this new score…

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Les visages de sh, Hamlet Machine
Violas Duets
Duration 04'30
This alto duo progressively goes through three different atmospheres. Developing from homorhythm, to a ramdom section with free sequences, up to the final part, which is energetic, sustained, and nearly electric.

Printed Version, click here

Les visages de sh, Hamlet Machine
Violas Duets
Duration 04'30
This alto duo progressively goes through three different atmospheres. Developing from homorhythm, to a ramdom section with free sequences, up to the final part, which is energetic, sustained, and nearly electric.

PDF download
Les visages de sh, Juliette
Violins Duets
Duration 03'00
A soft melody develops itself and dialogues with the second violin. Then a short free cadenza on improvised units appears, leading to a short reexposition in the form of a coda. A perfect piece for an initiation in chamber music.

Printed version, click here

Les visages de sh, Juliette
Violins Duets
Duration 03'00
A soft melody develops itself and dialogues with the second violin. Then a short free cadenza on improvised units appears, leading to a short reexposition in the form of a coda. A perfect piece for an initiation in chamber music.

PDF downolad
Les visages de sh, Malcom & Donalbian
Cello DuetsDuration 4’30
Two characters talk and, as in any conversation, the words of one enrich those of the other... Rhythms and polyrhythms, effects, softness, and whispers, shouts and explosions of sounds...An energetic composition, ideal for working on chamber music.
Printed version, click here

Les visages de sh, Malcom & Donalbian
Cello DuetsDuration 4’30
Two characters talk and, as in any conversation, the words of one enrich those of the other... Rhythms and polyrhythms, effects, softness, and whispers, shouts and explosions of sounds...An energetic composition, ideal for working on chamber music.

PDF download
Litanies, couleurs de sable
Cello Quartet
Duration 05'00
An African-inspired piece, associated with two artistes: Jean-Louis Florentz, a composer, and M. Barcelo, a painter, who has strong ties with Africa. Through this fantasy, the objective is to explore raw musical matter, and “draw” melodic contours: broken-up writing, with contrast and interruption, a work on rhythm and melodic obsession. Dedicated to Raoul Lay. In tribute to Jean-Louis Florentz.

Print Paper, click here

Litanies, couleurs de sable
Cello Quartet
Duration 05'00
An African-inspired piece, associated with two artistes: Jean-Louis Florentz, a composer, and M. Barcelo, a painter, who has strong ties with Africa. Through this fantasy, the objective is to explore raw musical matter, and “draw” melodic contours: broken-up writing, with contrast and interruption, a work on rhythm and melodic obsession. Dedicated to Raoul Lay. In tribute to Jean-Louis Florentz.