Musique de chambre

PDF download
Les visages de sh, Juliette
Violins Duets
Duration 03'00
A soft melody develops itself and dialogues with the second violin. Then a short free cadenza on improvised units appears, leading to a short reexposition in the form of a coda. A perfect piece for an initiation in chamber music.

Printed version, click here

Les visages de sh, Juliette
Violins Duets
Duration 03'00
A soft melody develops itself and dialogues with the second violin. Then a short free cadenza on improvised units appears, leading to a short reexposition in the form of a coda. A perfect piece for an initiation in chamber music.

PDF downolad
Les visages de sh, Malcom & Donalbian
Cello DuetsDuration 4’30
Two characters talk and, as in any conversation, the words of one enrich those of the other... Rhythms and polyrhythms, effects, softness, and whispers, shouts and explosions of sounds...An energetic composition, ideal for working on chamber music.
Printed version, click here

Les visages de sh, Malcom & Donalbian
Cello DuetsDuration 4’30
Two characters talk and, as in any conversation, the words of one enrich those of the other... Rhythms and polyrhythms, effects, softness, and whispers, shouts and explosions of sounds...An energetic composition, ideal for working on chamber music.

PDF download
Litanies, couleurs de sable
Cello Quartet
Duration 05'00
An African-inspired piece, associated with two artistes: Jean-Louis Florentz, a composer, and M. Barcelo, a painter, who has strong ties with Africa. Through this fantasy, the objective is to explore raw musical matter, and “draw” melodic contours: broken-up writing, with contrast and interruption, a work on rhythm and melodic obsession. Dedicated to Raoul Lay. In tribute to Jean-Louis Florentz.

Print Paper, click here

Litanies, couleurs de sable
Cello Quartet
Duration 05'00
An African-inspired piece, associated with two artistes: Jean-Louis Florentz, a composer, and M. Barcelo, a painter, who has strong ties with Africa. Through this fantasy, the objective is to explore raw musical matter, and “draw” melodic contours: broken-up writing, with contrast and interruption, a work on rhythm and melodic obsession. Dedicated to Raoul Lay. In tribute to Jean-Louis Florentz.

PDF download
Un peu plus loin, de plus près
Soprano Saxophone an Drums
Duration 16'00
This score successfully meets the challenge of evoking distant sounds through a rich percussive pallet, emphasizing drum skins (percussion), combined with modern writing in which the soprano saxophone weaves its laments, sometimes litanic other times incisive. A success for a dense piece with an audacious ensemble, full of resources.(Frédéric Isoletta)

Audio

Printed version, click here

Un peu plus loin, de plus près
Soprano Saxophone an Drums
Duration 16'00
This score successfully meets the challenge of evoking distant sounds through a rich percussive pallet, emphasizing drum skins (percussion), combined with modern writing in which the soprano saxophone weaves its laments, sometimes litanic other times incisive. A success for a dense piece with an audacious ensemble, full of resources.(Frédéric Isoletta)