Simone Movio

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Incanto VIII
Flutes DuetsDuration 08'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.
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Incanto VIII
Flutes DuetsDuration 08'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.

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Incanto XI
Flute, Clarinet, Violin, CelloDurée 09'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.
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Incanto XI
Flute, Clarinet, Violin, CelloDurée 09'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.

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Incanto XII
Soprano SaxophoneDuration 09'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.

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Incanto XII
Saxophone SopranoDuration 09'00
La dimension de l'enchantement est un chemin de contemplation qui rend possible la transformation de l'imago, entrelaçant sa tunique résonante.

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Incanto XIII
Bb Saxophone DuetsDuration 09'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.
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Incanto XIII
Bb Saxophone DuetsDuration 09'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.

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Incanto XIX
Ensemble (Reccorder, Violin and Stings Orchestra)Duration 12'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.

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Incanto XIX
Ensemble (Reccorder, Violin and Stings Orchestra)Duration 12'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.

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Incanto XVI
Violin, Cello and PianoDuration 12'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic. The piece inheres to human vocality as the highest possibility of existence of a sound which contemplates an inner world, a sound charged by a vital energy, a human effort of being vehicle: the essential is not always the meaning of the words, but the mysterious, arcane and poetic power of their resonance.“Incanto XVI” uses melodic/harmonic sequences and procedures of Franz Schubert's “Irrlich” from Winterreise.
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Incanto XVI
Violin, Cello and PianoDuration 12'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic. The piece inheres to human vocality as the highest possibility of existence of a sound which contemplates an inner world, a sound charged by a vital energy, a human effort of being vehicle: the essential is not always the meaning of the words, but the mysterious, arcane and poetic power of their resonance.“Incanto XVI” uses melodic/harmonic sequences and procedures of Franz Schubert's “Irrlich” from Winterreise.