Simone Movio

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Incanto XVIII
Fute, Soprano Saxophone and PianoDurée 04'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.

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Incanto XVIII
Fute, Soprano Saxophone and PianoDurée 04'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.

Pdf Version
for piano
Duration : 15'40"
The dimension of enchantment is the path of contemplation, which makes it possible for the mediated image to adorn its woven resounding tunic.
The composition regards human vocality as the highest possibility of existence of a sound contemplating an inner reality, which is related to the vital forces that develop a plant from the seed.
Incanto XXII is composed for Luca Leracitano (midi ensemble) and was created on December 3, 2022 at the Teatro Arsenale in Milano as part of a Sound Of Wounder Festival.

Printed Version
for piano
Duration : 15'40"
The dimension of enchantment is the path of contemplation, which makes it possible for the mediated image to adorn its woven resounding tunic.
The composition regards human vocality as the highest possibility of existence of a sound contemplating an inner reality, which is related to the vital forces that develop a plant from the seed.
Incanto XXII is composed for Luca Leracitano (midi ensemble) and was created on December 3, 2022 at the Teatro Arsenale in Milano as part of a Sound Of Wounder Festival.


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Logos II
Flute, Clarinet, Violin, Alto, CellO and Piano.Durée 17'00
The human vocality is the highest possibility of existence of a sound which contemplates an inner world, a sound charged by a vital energy, a human effort of being vehicle:The essential is not the meaning of the words, but the mysterious, arcane and poetic power of their resonance.
Audio

Printed Version, click here

Logos II
Flute, Clarinet, Violin, Alto, CellO and Piano.Durée 17'00
The human vocality is the highest possibility of existence of a sound which contemplates an inner world, a sound charged by a vital energy, a human effort of being vehicle:The essential is not the meaning of the words, but the mysterious, arcane and poetic power of their resonance.
AUDIO

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Logos III
Ensemble (12 players)Durée 27'00
“Logos III” is a part of a music cycle, which inheres to human vocality as the highest possibility of existence of a sound which contemplates an inner world, a sound charged by a vital energy, a human effort of being vehicle: the essential is not always the meaning of the words, but the mysterious, arcane and poetic power of their resonance.The composition has a relation with the opening choral movement of the J.S. Bach's "Johannes Passion BWV 245"

Printed version, click here

Logos III
Ensemble (12 players)Durée 27'00
“Logos III” is a part of a music cycle, which inheres to human vocality as the highest possibility of existence of a sound which contemplates an inner world, a sound charged by a vital energy, a human effort of being vehicle: the essential is not always the meaning of the words, but the mysterious, arcane and poetic power of their resonance.The composition has a relation with the opening choral movement of the J.S. Bach's "Johannes Passion BWV 245"

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Zahir III
Baryton Saxophone and Live ElectroniqueDurée 10'00
Many times we try to remember a dream, like an obsession. In a multitude of possibilities we choose three versions, in the beginning the memories seem clear and strong but then the mind transforms the logical - temporal connections and the dream takes its own life as if it remembers us. In this piece the live electronics, completely in real time, is strictly connected to the instrumental sound, it is the essence of the sound itself. It will create a reflection and a complement to the sound of the saxophone, more and more it will be present until the instrumental sound becomes a complement to the electronic sound.

Extrait Audio

Printed Version, click here

Zahir III
Baryton Saxophone and Live ElectroniqueDurée 10'00
Many times we try to remember a dream, like an obsession. In a multitude of possibilities we choose three versions, in the beginning the memories seem clear and strong but then the mind transforms the logical - temporal connections and the dream takes its own life as if it remembers us. In this piece the live electronics, completely in real time, is strictly connected to the instrumental sound, it is the essence of the sound itself. It will create a reflection and a complement to the sound of the saxophone, more and more it will be present until the instrumental sound becomes a complement to the electronic sound.

EXTRAIT AUDIO

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Zahir V
Saxophone QuartetDuration 18'00
Difficult to retain, through a firm willpower, a sort of ascesis, finally comes the essence, putting on the margin the non-essential which has been necessary for the research.  Because all is given in an instant and only the mind needs to separate different space and time segments.

Audio

Printed version, click here

Zahir V
Saxophone QuartetDuration 18'00
Difficult to retain, through a firm willpower, a sort of ascesis, finally comes the essence, putting on the margin the non-essential which has been necessary for the research.  Because all is given in an instant and only the mind needs to separate different space and time segments.

AUDIO