Musique de chambre

Simone Movio Incanto XI - pdf
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Incanto XI
Flute, Clarinet, Violin, CelloDurée 09'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.
Audio

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25.00
Simone Movio Incanto XI - sheet paper

Incanto XI
Flute, Clarinet, Violin, CelloDurée 09'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.
60.00
Simone Movio Incanto XIII - pdf
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Incanto XIII
Bb Saxophone DuetsDuration 09'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.
Video Extract

Printed version, click here
15.00
Simone Movio Incanto XIII - sheet paper

Incanto XIII
Bb Saxophone DuetsDuration 09'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.
25.00
Simone Movio Incanto XVI - pdf
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Incanto XVI
Violin, Cello and PianoDuration 12'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic. The piece inheres to human vocality as the highest possibility of existence of a sound which contemplates an inner world, a sound charged by a vital energy, a human effort of being vehicle: the essential is not always the meaning of the words, but the mysterious, arcane and poetic power of their resonance.“Incanto XVI” uses melodic/harmonic sequences and procedures of Franz Schubert's “Irrlich” from Winterreise.
Audio

Printed version, click here


25.00
Simone Movio Incanto XVI - sheet paper

Incanto XVI
Violin, Cello and PianoDuration 12'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic. The piece inheres to human vocality as the highest possibility of existence of a sound which contemplates an inner world, a sound charged by a vital energy, a human effort of being vehicle: the essential is not always the meaning of the words, but the mysterious, arcane and poetic power of their resonance.“Incanto XVI” uses melodic/harmonic sequences and procedures of Franz Schubert's “Irrlich” from Winterreise.
60.00
Simone Movio Incanto XVIII - pdf
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Incanto XVIII
Fute, Soprano Saxophone and PianoDurée 04'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.

Printed version, click here

25.00
Simone Movio Incanto XVIII - printed version
Incanto XVIII
Fute, Soprano Saxophone and PianoDurée 04'00
The dimension of the enchantment is the way of the contemplation which makes possible to dress the imago, interlacing its resonant tunic.
60.00
Simone Movio Logos II - pdf
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Logos II
Flute, Clarinet, Violin, Alto, CellO and Piano.Durée 17'00
The human vocality is the highest possibility of existence of a sound which contemplates an inner world, a sound charged by a vital energy, a human effort of being vehicle:The essential is not the meaning of the words, but the mysterious, arcane and poetic power of their resonance.
Audio

Printed Version, click here
25.00
Simone Movio Logos II - printed version
Logos II
Flute, Clarinet, Violin, Alto, CellO and Piano.Durée 17'00
The human vocality is the highest possibility of existence of a sound which contemplates an inner world, a sound charged by a vital energy, a human effort of being vehicle:The essential is not the meaning of the words, but the mysterious, arcane and poetic power of their resonance.
AUDIO

100.00
Simone Movio Zahir V - pdf
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Zahir V
Saxophone QuartetDuration 18'00
Difficult to retain, through a firm willpower, a sort of ascesis, finally comes the essence, putting on the margin the non-essential which has been necessary for the research.  Because all is given in an instant and only the mind needs to separate different space and time segments.

Audio

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25.00
Simone Movio Zahir V - sheet paper

Zahir V
Saxophone QuartetDuration 18'00
Difficult to retain, through a firm willpower, a sort of ascesis, finally comes the essence, putting on the margin the non-essential which has been necessary for the research.  Because all is given in an instant and only the mind needs to separate different space and time segments.

AUDIO

60.00