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Farnaz Modarresifar
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Farnaz Modarresifar Gabbeh Pdf
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Gabbeh
Viola, SantûrDuration 05’
Gabbéh (means "rough", "natural" in Persian language) is a type of Persian carpet, made by the nomads, especially by the Ghashghâies, and generally by women. The symbolic patterns of Gabbéh, give it a particular character: nature, animals, trees, humans, the transhumance and the eternal cycle of life, are depicted with remarkable simplicity, beauty, and raw and pure. Gabbéh is a living painting in the shape of a carpet, because traditionally it has been made in resonance with dayly life: the patterns and colors are chosen unexpectedly, in relation to the feeling of the person who makes them. This score is a continuation of this honest mix of life and art, with several passages in free time, so that the music can breathe "the moment".
Printed version, click here
Gabbeh
Viola, SantûrDuration 05’
Gabbéh (means "rough", "natural" in Persian language) is a type of Persian carpet, made by the nomads, especially by the Ghashghâies, and generally by women. The symbolic patterns of Gabbéh, give it a particular character: nature, animals, trees, humans, the transhumance and the eternal cycle of life, are depicted with remarkable simplicity, beauty, and raw and pure. Gabbéh is a living painting in the shape of a carpet, because traditionally it has been made in resonance with dayly life: the patterns and colors are chosen unexpectedly, in relation to the feeling of the person who makes them. This score is a continuation of this honest mix of life and art, with several passages in free time, so that the music can breathe "the moment".
Printed version, click here
15.00
Farnaz Modarresifar Gabbeh printed version
PDF download
Gabbeh
Viola, SantûrDuration 05’
Gabbéh (means "rough", "natural" in Persian language) is a type of Persian carpet, made by the nomads, especially by the Ghashghâies, and generally by women. The symbolic patterns of Gabbéh, give it a particular character: nature, animals, trees, humans, the transhumance and the eternal cycle of life, are depicted with remarkable simplicity, beauty, and raw and pure. Gabbéh is a living painting in the shape of a carpet, because traditionally it has been made in resonance with dayly life: the patterns and colors are chosen unexpectedly, in relation to the feeling of the person who makes them. This score is a continuation of this honest mix of life and art, with several passages in free time, so that the music can breathe "the moment".
Gabbeh
Viola, SantûrDuration 05’
Gabbéh (means "rough", "natural" in Persian language) is a type of Persian carpet, made by the nomads, especially by the Ghashghâies, and generally by women. The symbolic patterns of Gabbéh, give it a particular character: nature, animals, trees, humans, the transhumance and the eternal cycle of life, are depicted with remarkable simplicity, beauty, and raw and pure. Gabbéh is a living painting in the shape of a carpet, because traditionally it has been made in resonance with dayly life: the patterns and colors are chosen unexpectedly, in relation to the feeling of the person who makes them. This score is a continuation of this honest mix of life and art, with several passages in free time, so that the music can breathe "the moment".
22.00
Farnaz Modarresifar Lout Pdf
Version PDF
Lout
Soprano Saxophone, Clarinet, Violin, Piano, Percussions
Duration 05’
The word Lout, in the Persian language, literally means "naked". Also called "desert of emptiness", Lout is a barren desert without plants and water, located in southeastern Iran, stretching over a area of approximately 41 km². The hottest place in the world, with a maximum temperature of soil of 70.7 °C, remarkable for the rich variety of its spectacular desert reliefs, including in for the most part, there is no animal and plant life. The diversity of the aesthetic values of this desert, and its uninterrupted perspectives, are closely linked to the atmosphere of the room: a soundscape, colors of the desert.
Printed version, click here
Lout
Soprano Saxophone, Clarinet, Violin, Piano, Percussions
Duration 05’
The word Lout, in the Persian language, literally means "naked". Also called "desert of emptiness", Lout is a barren desert without plants and water, located in southeastern Iran, stretching over a area of approximately 41 km². The hottest place in the world, with a maximum temperature of soil of 70.7 °C, remarkable for the rich variety of its spectacular desert reliefs, including in for the most part, there is no animal and plant life. The diversity of the aesthetic values of this desert, and its uninterrupted perspectives, are closely linked to the atmosphere of the room: a soundscape, colors of the desert.
Printed version, click here
20.00
Farnaz Modarresifar Silences Inouïs - Printed version
Printed Version
Flute, Bb Clarinet, Saxophone (Soprano/Baryton), Violin, Viola, Cello
Duration 19'00
This work was initially entitled: "The Tower", third part of a trilogy started in 2018, and inspired by the tarot cards.
End of 2020 - beginning of 2021: the dark days followed one another in my home country. I kept hearing like the prose of the dead, in the day of wrath, at the time of the Last Judgment. A kind of apocalyptic inspiration, through fear, suffering, the permanent search for liberation from an eternal death.
These words of Hallâj came to my mind: "It is recollection, then silence; then aphasia and knowledge [...]"
A heavy silence amplified the atmosphere, and ended in beauty, timelessly.
In my head, and in a haunting way :
the body is ephemeral, but not the perception,
[listening] is a divine gift
and if only to hear like a deaf person
The whole, as a silence
Pdf version, Click here
Flute, Bb Clarinet, Saxophone (Soprano/Baryton), Violin, Viola, Cello
Duration 19'00
This work was initially entitled: "The Tower", third part of a trilogy started in 2018, and inspired by the tarot cards.
End of 2020 - beginning of 2021: the dark days followed one another in my home country. I kept hearing like the prose of the dead, in the day of wrath, at the time of the Last Judgment. A kind of apocalyptic inspiration, through fear, suffering, the permanent search for liberation from an eternal death.
These words of Hallâj came to my mind: "It is recollection, then silence; then aphasia and knowledge [...]"
A heavy silence amplified the atmosphere, and ended in beauty, timelessly.
In my head, and in a haunting way :
the body is ephemeral, but not the perception,
[listening] is a divine gift
and if only to hear like a deaf person
The whole, as a silence
Pdf version, Click here
60.00