Instrument solo

Le secret d'Arnold
Alto Saxophone and Soundtrack ad libitumDuration 4’
Ideal for the end of a second cycle, this score is built on the alternation, brutal or progressive, between slow and fast passages. The music score gives the performer a certain degree of rhythmic freedom and introduces various contemporary performing techniques: key sounds, bisbigliando, multiphonic...

EXTRAIT AUDIO
Saxophone Stéphane Sordet

Printed Version
Saxifrage
Alto Saxophone  and electronic background
Duration 8'
Saxifrages (from the Latin saxum, stone; frango, I break) are herbaceous perennials that grow in the cracks of old walls and, according to Victor Hugo, "love to gnaw the cement and dig their nails into the joints of stones" until they break the rock. This flower can be seen as a symbol of nature regaining its rights. Victor Hugo also sees it as an allegory of poetry, which feeds on the aridity of reality - shadow, misery and suffering - to grow.
The electronic tape suggests here a desolate landscape, crossed by distant vestiges of the thermo-industrial civilization. The saxophone proposes several thematic cells, which will try to develop in this hostile environment: some will be blocked in their progression; others, on the opposite, will circumvent the obstacles, will rush in the faults and will proliferate until making burst the mass of the reality.

Pdf Version 
Saxifrage
Alto Saxophone  and electronic background
Duration 8'
Saxifrages (from the Latin saxum, stone; frango, I break) are herbaceous perennials that grow in the cracks of old walls and, according to Victor Hugo, "love to gnaw the cement and dig their nails into the joints of stones" until they break the rock. This flower can be seen as a symbol of nature regaining its rights. Victor Hugo also sees it as an allegory of poetry, which feeds on the aridity of reality - shadow, misery and suffering - to grow.
The electronic tape suggests here a desolate landscape, crossed by distant vestiges of the thermo-industrial civilization. The saxophone proposes several thematic cells, which will try to develop in this hostile environment: some will be blocked in their progression; others, on the opposite, will circumvent the obstacles, will rush in the faults and will proliferate until making burst the mass of the reality.

Printed version click here

Pdf Download
Styx
MIDI Wind Instrument, Tam-Tam and Live ElectronicDurée 10’
Styx is a mixed work premiered in January 2019 under commission from the Festival Désordre (Brest, France) for saxophonist Stéphane Sordet. The solo part can be interpreted by a MIDI wind instrument (Ewi, Sylphyo or other) or by a soprano saxophone.The score opposes the violence and impulsiveness of the wind instrument, tirelessly exploring the same seven-note motif, to a much more global and meditative conception of time as the tam-tam. As for electronics, it offers reminiscences of the work, increasingly vague, evoking memory altered by time.

Extrait Audio
Saxophone Soprano Stéphane Sordet, Percussions Etienne Hendrickx
Printed version, click here

Pdf Download
Styx
Soprano Saxophone, Tam-Tam and Live ElectronicDuration 10’
Styx is a mixed work premiered in January 2019 under commission from the Festival Désordre (Brest, France) for saxophonist Stéphane Sordet. The solo part can be interpreted by a MIDI wind instrument (Ewi, Sylphyo or other) or by a soprano saxophone.The score opposes the violence and impulsiveness of the wind instrument, tirelessly exploring the same seven-note motif, to a much more global and meditative conception of time as the tam-tam. As for electronics, it offers reminiscences of the work, increasingly vague, evoking memory altered by time.

Extrait Audio
Saxophone Soprano Stéphane Sordet, Percussions Etienne Hendrickx
Printed version, click here

Styx
MIDI Wind Instrument, Tam-Tam and Live ElectronicDurée 10’
Styx is a mixed work premiered in January 2019 under commission from the Festival Désordre (Brest, France) for saxophonist Stéphane Sordet. The solo part can be interpreted by a MIDI wind instrument (Ewi, Sylphyo or other) or by a soprano saxophone.The score opposes the violence and impulsiveness of the wind instrument, tirelessly exploring the same seven-note motif, to a much more global and meditative conception of time as the tam-tam. As for electronics, it offers reminiscences of the work, increasingly vague, evoking memory altered by time.

EXTRAIT AUDIO
Saxophone Soprano Stéphane Sordet, Percussions Etienne Hendrickx

Styx
Soprano Saxophone, Tam-Tam and Live ElectronicDuration 10’
Styx is a mixed work premiered in January 2019 under commission from the Festival Désordre (Brest, France) for saxophonist Stéphane Sordet. The solo part can be interpreted by a MIDI wind instrument (Ewi, Sylphyo or other) or by a soprano saxophone.The score opposes the violence and impulsiveness of the wind instrument, tirelessly exploring the same seven-note motif, to a much more global and meditative conception of time as the tam-tam. As for electronics, it offers reminiscences of the work, increasingly vague, evoking memory altered by time.

EXTRAIT AUDIO
Saxophone Soprano Stéphane Sordet, Percussions Etienne Hendrickx